Allan Zavod

home >> multimedia >> youtube and videos >> ENVIRONMENTAL SYMPHONY

An inspiring, multi-modal live performance and streaming event featuring a full orchestra, thought provoking narration and immersive synchronised visuals.

"Entertainment has the transformative power to shape minds, challenge perspectives, and ignite a revolution of change in the hearts of society." -Brett Hardy, Executive Producer, Environmental Symphony

You can visit Brett's website about ES here: pages.qwilr.com/Environmental-Symphony-2023-7QMh0LrR5SUk



Promo Video: (3:34min)




Trailer Video: (6:55min)




Environmental SymphonyTHE BEGINNING:

A brain child of three inspirational leaders: Dr. Allan Zavod, Dr Alan Finkel and Sir Richard Branson collaborated together to create an Inspirational Live Event

"Dr. Alan Finkel and I got together, and we decided we should do something together. It really all started in a restaurant. We were talking about that we should do something about the environment. Then Alan just came out with 'Carbon Dioxide, Methane on Mass, Billions of Bacteria, Making Oxygen Gas.' Well, you can imagine what this does to me as a musician! What better way to deliver environmental winds than through the Arts, through an adventure." - DR. ALLAN ZAVOD

The Environmental Symphony was Zavod's last major work before his death in 2016



Environmental SymphonyPROMO & TRAILER VIDEOS:

In the promo video, Allan Zavod, Alan Finkel and Sir Richard Branson talk about the importance of this work. Both videos give you a feel of the amazing visuals, powerful music and inspirational words used throughout the 5 movements of the remarkable symphony. (Note: You can watch both videos by scrolling to the top of this page.)



Environmental SymphonyBANKSIA AWARDS PRESENTATION NIGHT - 2010:

For the very first time, a sample of the descriptive work was performed at Sydney Town Hall on the 15th October 2010. It was the centre piece for the Prime Minister's prestigious Banksia Environmental Awards.

Sir Richard Branson (Entrepreneur / Philanthropist). was the original narrator of the abridged version (found on the promo and trailer videos)

From the Banksia website media release on 2 June, 2010 "Banksia Awards launches national search for leaders in sustainability"

<...>The Banksia Awards launch also featured a preview of a unique environmental symphony composed by legendary composer Dr. Allan Zavod, which will be performed for the very first time at the Banksia Awards Presentation at Sydney Town Hall on the 15th October 2010.

Dr Allan Zavod said, "Scientists and politicians have numbed us with their pounding messages. What better way to deliver environmental awareness than through the Arts."



Environmental SymphonyA TRIBUTE TO DR ALLAN ZAVOD - 2015:

An Inspirational live event. The descriptive work in 5 movements was performed in full for the first time on SUNDAY 20 DECEMBER, 2015. The Melbourne Symphony Orchestra performed this landmark concert at Hamer Hall, Arts Centre, Melbourne. A unique cinematic composition for live orchestra, including introductory narration and synchronised visuals.

The programmatic work melds classical and jazz principles, with a story spanning the Earth's formation nearly five billion years ago to several hundred years into the future.

The music allows us to focus us on the message, and adds emotional empatsis. It closely follows the graphic images, and the narative

Music has a role to play raising awareness of "scientific truths", it can add a fresh way of addressing the problem.

Composed by: Dr. Allan Zavod (Composer / Performer);
Words written by: Dr Alan Finkel (Australia's Chief Scientist / Philanthropist);
Narration by: Jack Thompson;
Featured Visuals by: Ross McNair;
Conductor: Benjamin Northey;
Host: Bert Newton

Note: All proceeds (over $100,000.00) went to the Royal Melbourne Hospital for GBM Brain Cancer Research - thru the Zavod Fellowship. Zavod said: "My goal is to continue raising funds through my music for research to find a cure for this form of cancer."

LINKS:-

Environmental Symphony - Full Performance"
www.limelightmagazine.com.au/reviews/review-the-environmental-symphony-mso/



Limelight Review: (by Maxim Boon):

This touching tribute to composer Allan Zavod shares an important message in an easily accessible language.

For its final outing of 2015, Melbourne Symphony Orchestra offered a special event, unified by a single purpose but built out of series of curious combinations. Strident ecological activism rubbed shoulders with heart-warming philanthropy; rich, syrupy romanticism went toe-to-toe with fleet-footed jazz; the ancient past reached out beyond the present and into a rose-tinted future. The unifying impetus knitting together these disparate strands was the life and work of one man: composer and pianist Allan Zavod.

All at once a showcase, a tribute and an opportunity to curate, the world premiere of Zavod's The Environmental Symphony, took top billing. This ambitious piece, featuring a poetic narration written by eminent neuroscientist Alan Finkle, delivered here by Aussie acting great Jack Thompson, is a patchwork of aesthetic influences. Flavours of American minimalism, the harmonically sumptuous lyricism of the early 20th-century Romantic composers, and a musical theatre style of jazz-rock swagger all happily percolate through the effervescent textures of this five movement work.

While the vernacular of the music is undeniably easy to access, Zavod holds no quarter with the technical pressures of this piece. Its dense orchestration is chock full of instrumental challenges and finickety balance issues, but conductor Benjamin Northey at the helm makes light work of taming this sometimes unruly beast. His approach is ideal for unriddling a new work, offering a nurturing yet commanding presence. Clearly carved and metronomic, yet brightly communicative, Northey's rapport with the orchestra yields an energised and responsive nuance to the performance that galvanises the inevitably disjointed nature of such an episodic piece.

The Environmental Symphony's narrative and philosophical scope is vast, covering the formation of the planet, Earth's gradual transition from molten hell to life-giving eden, the hubris of man in the industrial revolution, the ecological devastation of global warming, and an optimistic vision of a greener future. The music is more cinematic than programmatic, with a stunningly polished video projection by Ross McNair, synchronised in real time, providing the explicit narrative context. Thompson's delivery of the text is given the superb finesse one would expect from such an acting legend, but the jaunty tweeness of the insistently rhymed couplets that pervade throughout pinches some of the gravitas this subject matter deserves.

New music purists might find Zavod's particular brand of crossover a little too far on the pop side of the spectrum, and indeed, relatively speaking, this music doesn't seek to challenge any conventions. However this is no bad thing. While the articulation of this endeavour has culminated in something lighter than its inspiration implies, delivering such an important message in a language that is as accessible as possible is key to The Environmental Symphony's potential to communicate with a broad audience.

In the second half, Zavod selected Rachmaninov's Symphonic Dances as an ideal partner for his own music. In more mercurial form, Northey perfect judged both the tempi and character of the performance, whipping up a driving muscularity in the full orchestral tuttis, but allowing a serene elasticity to delicately shape Rachmaninov's long, luxuriant phrases in the more reflective passages. Perhaps at times this performance revealed a lack of preparation, particularly in the idiosyncrasies of the wind intonation that need to accommodate the innately flat heaviness of the saxophone, bass clarinet and contrabassoon, but largely this was an assured account.

However, any minor foibles with this concert hardly matter. Thanks to the generosity of a number of benefactors, 100% of the tickets sales to the performance - in excess of $100,000 - has been donated to the Royal Melbourne Hospital Neuroscience Foundation to fund research into treatments for brain cancer, a condition that Allan Zavod is currently battling. With such a tangible level of support and admiration in the hall, the atmosphere of this performance was unashamedly jubilant, heartfelt and immensely touching. Could there be a more ideal way to end 2015? I doubt it.



Environmental SymphonyPERFORMED IN OTHER COUNTRIES:

Since it's first full performance in 2015, this unique cinematic composition has been performed around the world with the narration spoken in the country's own language.

~ Ankara Turkey - November 4, 2017: Bilkent Symphony Orchrestra (BSO), at the Bilkent Concert Hall with Matthew Coorey as Conductor, Halit Ergenc (Turkish Actor) as Narrator, and Irina Nikotina as Concert Master.

~ Glasgow, Scotland - November, 2021: Shortlisted to perform at the COP26 at the SEC Centre, but unfortunately, the performance was cancelled due to Covid-19 travel restrictions. The 2021 United Nations Climate Change Conference, more commonly referred to as COP26, was the 26th United Nations Climate Change conference.

~ Dallas Texas - April 20, 2023: Dallas Orchestral Ensemble, in the Coronado Ballroom of the Anatole Hotel, as part of EarthX Expo: Earth Day 2023 Conference at the Environmental Celebration Banquet, with narrator Azinab Salbi (Co-Foounder of Daughters for Earth), and conductor Julien Benichou.

~ New York City, New York - October 24, 2023: New York Orchestra Ensemble (members of the symphonies around New York) in the General Assembly Hall at United Nations Headquarters, with Julien Benichou was the conductor, as part of the 2023 UNDAY celebrations on the theme of 'The Frontlines of Climate Action'. youtube.com/watch?v=SsuxUZgGH-o (performance begins at 45 minute mark).


"Environmental Symphony: The Movement, brings us together as people to experience the magnificent fusion of music, visuals and storytelling. It is a brilliant blueprint of how art can indeed be a catalyst for activation through inspiration. At its core, the symphony reminds us of the importance of a call to action for the people of all nations to BE AN INSTRUMENT OF ENVIRONMENTAL CHANGE through peace, unity and connection." - Michael L. Sander.



FUTURE PERFORMANCES AROUND THE WORLD

Join us as we embrace the captivating story of the Environmental Symphony, a passionate composition created by the legendary Dr. Allan Zavod. This live performance follows in the footsteps of beloved classics such as 'Carnival of Animals' and 'Peter and the Wolf'. Immerse yourself in this epic musical journey as we watch the history of our planet unfold over billions of years - from its formation to the climate challenges of today. Yet, amidst environmental devastation, hope remains and it is here that the Environmental Symphony: the Movement takes us on a journey of music, visuals and story-telling that merge into a singular creative exploration like no other. Join us as we activate today's leaders for the benefit of a better tomorrow.

2023:

     ~ United Nations Climate Change Conference (COP28) in Dubai, UAE [December 7th, 2023]

2024:

     ~ EarthX-2024 in Dallas, Texas [April 24, 2024]
     ~ Global Island Summit (SIDS 4) in Antigua and Barbuda [May 27, 2024]
     ~ United Nations General Assembly [September, 2024]
     ~ United Nations Climate Change Conference (COP29) [TBD]




Environmental SymphonyABC MUSIC CD RELEASE:

Environmental Symphony flyer

Allan Zavod's Environmental Symphony performed live by the MSO was re-recorded by ABC on Oct 10th and 11th, 2018 at Hamer Hall.

The Environmental Symphony was released by ABC Classics, as a digital download and new CD, on United Nations World Environment Day, Wednesday June 5, 2019.

Composed by: Dr. Allan Zavod (Composer / Performer);
Words written by: Dr Alan Finkel (Australia's Chief Scientist / Philanthropist);
Narration by: Sir Richard Branson (Entrepreneur / Philanthropist);
Music performed by: Melbourne Symphony Orchestra
Conductor: Benjamin Northey

The 5 movements are outlined below:

  • Movement 1 is Creation: The beginning of the world forming
  • Movement 2 is Industrial Revolution: When we destroyed some of this paradise with industrial revolution, with urbanisation
  • Movement 3 is The Calm before The Storm: About time for action and the efforts towards clean air
  • Movement 4 is Global Warming, Final Warning: About carbon dioxide and global warming
  • Movement 5 is Preservation Sensation: Shows a more positive outlook - looks to the future



LINKS:-

abcmusic.lnk.to/ZavodWe
slippedisc.com/2019/05/branson-is-back-in-classical
www.abcmusic.com.au/discography/zavod-environmental-symphony-narrated-sir-richard-branson



Sir Richard Branson talks about his work on the Environmental Symphony:

Sir Richard Branson at lookout on his private Caribbean Necker Island in the British Virgin Islands - where initial recordings for the narration for the Symphony were made.

I got my start in the music industry, but I never thought I'd get the chance to become a lead vocalist. Not in five billion years. But if you wait long enough...

This World Environment Day, I'm honoured to be part of The Environmental Symphony, a wonderful musical project to deliver a critical message about the need to protect and cherish the Earth we all share.

The Environmental Symphony is an incredible collaboration, with music by Dr Allan Zavod, the Melbourne Symphony Orchestra conducted by Benjamin Northey, words by Australia's chief scientist Dr Alan Finkel - and narration by yours truly.

Spanning five billion years, it tells the tale of planet Earth, from its formation five billion years ago to through to the devastation of our current age. It calls for a radical reaction to the climate crisis, demanding bold action to achieve the clean, green future we all need.

Allan Zavod has worked with some of my musical heroes, from Frank Zappa to Sting, so I was delighted to be involved in The Environmental Symphony, his last major work before his death in 2016. Meanwhile, I've long known and respected Alan Finkel for his work in science and education.

The album goes from Creation through to the Industrial Revolution, the Calm before the Storm to Global Warming, Final Warning. Fittingly, we end on a positive note, calling for a Preservation Sensation in the coming months and years.

I must be honest; I've never been much of a musician myself, but I've always had an eye for musical talent. What's more I have got used to delivering words I am passionate about over the years, especially when they are for such a crucial cause. I hope this record makes a real difference.



ABC Music Review:

Zavod: The Environmental Symphony -

Narrated by Sir Richard Branson
Music by Dr Allan Zavod | Words by Dr Alan Finkel
Narrated by Sir Richard Branson
Melbourne Symphony Orchestra conducted by Benjamin Northey

".delivering such an important message in a language that is as accessible as possible is key to The Environmental Symphony'spotential to communicate with a broad audience." - Limelight (2015)

ABC Classic presents The Environmental Symphony, an ambitious and epic work that spans five billion years, from the formation of the planet through to the devastation of our current age.

MSO performing the Environmental Symphony

Released on United Nations World Environment Day, Wednesday June 5, The Environmental Symphony sounds a warning of what will happen if we don't act boldly and decisively to address our climate crisis, but ends with an optimistic vision of a greener, cleaner future.

With music by the genre-bending Dr. Allan Zavod, words by Dr. Alan Finkel, narrated by Sir Richard Branson, and performed by the Melbourne Symphony Orchestra and conductor Benjamin Northey, this recording is a major international release that lends some musical muscle to the ongoing political and environmental fight against climate change.

Known for his unique creative blend of improvised jazz and classical music, Dr. Allan Zavod wasone of Australia's most exciting pioneers of fusion music - a pianist, composer, arranger, producer, and conductor, he broke down barriers between genres alongside international superstars such as Eric Clapton, Frank Zappa, Sting, Nigel Kennedy and many more. The Environmental Symphony was his last major work before his death in 2016.

Dr Alan Finkel, a friend and admirer of Allan Zavod's performance and creative prowess, was honoured when Zavod asked him to provide the storyline and the libretto for The Environmental Symphony. They shared the belief that music and science could unite to provide a fresh insight into the problem of global warming. Currently Australia's Chief Scientist and a former Chancellor of Monash University and President of the Australian Academy of Technology and Engineering, Finkel has had a long and successful career in industry. He has received many accolades and awards, and is passionate about science education.

Since starting youth culture magazine Student at aged 16, Sir Richard Branson has found entrepreneurial ways to drive positive change in the world. In 2004 Richard established Virgin Unite, the non-profit foundation of the Virgin Group, which unites people and entrepreneurial ideas to create opportunities for a better world. Most of his time is now spent building businesses that will make a positive difference in the world and working with Virgin Unite and organisations it has incubated, such as The Elders, The Carbon War Room, The B Team and Ocean Unite. He also serves on the Global Commission on Drug Policy and supports ocean conservation with the Ocean Elders.

Australian conductor Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Associate Conductor of the Melbourne Symphony Orchestra. Highly active in the performance of Australian orchestral music, Northey is an Honorary Fellow at the University of Melbourne Conservatorium of Music, his awards include the prestigious 2010 Melbourne Prize Outstanding Musician's Award and the 2002 Brian Stacey Memorial Scholarship, as well as multiple awards and nominations for his numerous CD recordings with ABC Classic.

The Melbourne Symphony Orchestra is a leading cultural figure in the Australian arts landscape, bringing the best in orchestral music and passionate performance to a diverse audience across the nation and around the world. Each year the MSO engages with more than 5 million people through live concerts, TV, radio and online broadcasts, international and regional tours, recordings and education programs. From its home at Hamer Hall, Arts Centre Melbourne, to free summer concerts at Melbourne's largest outdoor venue, the Sidney Myer Music Bowl, the MSO evolves and inspires a broad range of audiences with more than 160 concerts a year.





New ABC Promo Video: (1:36min)







Use these links to listen to the 5 Movements:



1 - Creation (11:45 min)
2 - Industrial Revolution (8:06 min)
3 - The Calm Before The Storm (6:53 min)
4 - Global Warming, Final Warning (6:12 min)
5 - Preservation Sensation (9:03 min)



Radio Interviews about Environmental SymphonyTHE MOVEMENTS DESCRIBED:

"Creation"

The 1st movement, "Creation", explodes with a burst of tiny motifs representing billions of cyanobacteria in the act of creating the atmosphere of planet earth. Woodwinds and strings race in rapid 16th notes giving chase to joyful runs on the xylophone and other members of the percussion family. The activity gives way to the French horns as they state a glorious Main Theme. The entire percussion section thunders on in a driving solo to paint volcanoes and lightning clashing in a celestial war.

Out of this chaos emerges Gaia, a goddess personification of Earth as an integrated living entity. The music announces Earth's beauty and serenity with an aria shared by cor anglais, French horn and a solo trumpet. The movement climaxes in a rousing coda heralding the dawn of humankind on the plains of Africa. An ensuing decrescendo.

"Industrial Revolution"

The 2nd movement, "Industrial Revolution", opens with a monotonous vamp from the strings evoking an industrial conveyor belt as the woodwinds intrude with an industrious motif of urban activity. A sweet flute melody suggests the joys of progress. A rejoinder from a murky bass clarinet conjures a picture of black city smog-"forests of chimneys belching black fog."

Muted trumpets imitating obnoxious car horns, accentuate the frantic pace of urban activity. This gives rise to a narrative on the greed of business leaders as they place profits above Gaia. The music darkens as the marimba pumps out a threatening low-toned ostinato. Horns and woodwind enunciate a devastating fugue. The incessant orchestral build-up echoes the narrator's concern about incessant industrial pollution. "the enemy is clear: soot, sulphur, acid rain." In response the marimba takes the orchestra into challenging unisons as the music becomes increasingly opaque. Chiming tubular bells remind us that time marches on and the situation is getting worse.

"The Calm Before the Storm"

The 3rd movement, "The Calm Before the Storm", is more positive as people realise it is time for action. Solo basses open in a jagged unsettling theme. "Things aren't quite right", says the piccolo as it soars above the low basses. The narrator tells us it's time to "outlaw pollution" - the French horns cast doubt as they state the piccolo's theme with a forcible tone. The classical trombones and trumpets reprise the horn's gloominess in a jazz swing... with drums spurring them on.

The narrator states we need "A global treaty to clean up our act." Strong harp glissandos follow reecting man's good intentions and positive outlook. But the drums and timpani roll with scepticism. Our classical orchestra turns into a polyphonic cacophony of jazz improvisers... the scattering effect of several melodies played simultaneously mirrors the cacophony of different opinions, the discord that arises when nations attempt to create a pact of global proportions.

The orchestra quietens, shifting now to a poignant and unsettling mood. The narrator explains the world has a new threat far more catastrophic than smog or even the ozone hole: "More trouble, ubiquitous and spreading, a gaseous bubble." Invisible, essential for plants, who would have thought that CO2 would threaten mankind's very existence?

The music swells to a tumultuous orchestral tutti. in anticipation of the enormous challenge ahead.

"Global Warming, Final Warning"

The 4th movement "Global Warming, Final Warning", is the slow movement. The melodic and harmonic beauty of the music acts as a counterpoint to the sarcastic narrative which parodies the arguments of global warming sceptics.

The threatening tubular bells return from the 2nd movement to remind us that time marches on. that time is running out. Cellos brood while the narrator shows how our leaders are paralysed by dissent. A duo of side drum and timpani warns of potential catastrophe. The theme is featured on a mournful trumpet. Full blown strings follow with concerned sadness.

The narrator comments on our use of fossil fuels while a lone drummer quietly accompanies with simplistic beats. Punctuating high strings and tubular bells allude to impending danger. The music rears into a forceful swell only to be obstructed by gloomy tubular bells.

Another drum and timpani roll plunge the orchestra into darkness as the narrator laments that the complexity of the problem could defeat us. In sympathy we hear a melancholy utterance from the cor anglais and vibraphone over a carpet of extended chords in the strings indicating concern. A final roll beats out from the percussion duo as a proclamation of "global warming, final warning".

"Preservation Sensation"

The 5th movement, "Preservation Sensation", is a return to hope. Full unison brass opens with an upbeat rendition of the Main Theme. Strings embark on a virtuoso tour of extended passages building to a frenzy as they are joined by other members of the orchestra - finally evolving into a grand gesture of the Main Theme by the French horns.

The narrator offers us a vision of what the world could do. An optimistic overture leads the Main Theme into further decisive development stated by woodwinds and vibraphone. The entire orchestra shares in this new turn of events bringing the music to an exciting climax. "with thrift and clean energy, we'll cut gas emission, lessen our footprint, put CO2 in remission."

Following this joyful tutti the music shrinks to a lone French horn for more positive messages from the narrator "Global accord! Gaia restored, new Eden seen, wildlife abundant, our planet is green." The orchestra accompanies with an encouraging ostinato culminating in a triumphant moment for the brass.

The electric guitar - the iconic instrument of youth - now takes up the Main Theme rendered as an energetic solo accompanied by lively string passages.

As we zoom 2000 years into the future, the music resolves into a gentle harmony. Flutes, strings and percussion paint an image of "our beautiful planet reborn shining blue. "Remember when years back its future was bleak? Pulled back from the brink - its beauty unique." The orchestra swells into a monumental finale - the Main Theme reprised in all its glory.

LINKS:-

Synchronized Visuals, Music and Narration (Projection Footage)







Radio Interviews about Environmental SymphonyRADIO INTERVIEWS:

ABC Breakfast Interview (Jun 2019)

Christine Zavod is interviewed on the ABC Breakfast Show with Vanessa Mills. She talks about her husband and his passion for music in general and specifically for his last major piece of work: the Environmental Symphony.
Listen to the interview

"My Allan heard music in everything," recalls Christine Zavod about her musically talented husband. "It didn't matter what it was - the milkman, the garbage man - he could hear music in that. He was amazing. His passion was to reach people through music."

"He just loved people, he embraced humanity, all people. He wanted them to be uplifted with his music," Christine said. "His passion was to reach people through his music. He always hoped to make a difference, and that music is the most powerful way to do it."

A scientist, a pianist and an entrepreneur walk into a bar on a Caribbean Island. Its no joke. The 2015 collaboration between Australians Dr. Alan Finkel and Dr. Allan Zavod, and Sir Richard Branson resulted in a symphony of science and music, with an environmental warning for the future.

"Dr. Alan Finkel wrote the narration with the laymen in mind. Alan Finkel was also the one to ask Sir Richard Branson if he would narrate the work. When Richard accepted, he suggested that they record it on his island in the Caribbean. Richard was very excited about the prospect, saying that he had never read a narration to a symphony before. The 42 minute work required a great deal of narration, and Branson threw himself into it."



ABC Classic Mornings Interview (Jun 2019)

In an interview with ABC Classic Mornings presenter Martin Buzacott, Dr Finkel shared that the final movement of the symphony: Listen to the interview

"It is mine and Allan's shared view of an optimistic future, where we do crack it. And the message there is really the vision that a hypothetical astronaut in the future would have in orbit around the Earth and looking down on our beautiful planet, still preserved."

"We felt that there had been a great awareness of the problems and almost a bit of an exhaustion.In general, people were perhaps a little bit jaded. It just adds a fresh way of addressing the problem."



THE COLLABORATORSTHE COLLABORATORS: